{"id":8840,"count":0,"description":"Pj\u0113rs Bof\u0113ns, kur\u0161 dzimis ar m\u0101kslinieka v\u0101rdu Hugo Jozefs Vincs, dzimis 1907. gada 30. novembr\u012b \u0100hen\u0113 un miris 1992. gad\u0101 V\u0113rd\u0113. Vi\u0146\u0161 bija talant\u012bgs fran\u010du-v\u0101cu gleznot\u0101js, kas paz\u012bstams ar savu ieguld\u012bjumu ekspres\u012bv\u0101 re\u0101lisma m\u0101ksl\u0101. Sakar\u0101 ar vi\u0146a darbu aizliegumu 20. gadsimta 40. gados vi\u0146\u0161 pieder pie \u201czudu\u0161\u0101s paaudzes\u201d grupas.\n\nPj\u0113rs Buf\u0113ns n\u0101ca no at\u0161\u0137ir\u012bgas kult\u016bras vides - vi\u0146a m\u0101te bija no Vervj\u0113, Francij\u0101, bet t\u0113vs no \u0160varcvaldes. M\u0101kslas pasaul\u0113 vi\u0146\u0161 nostiprin\u0101j\u0101s ar m\u0101kslinieka v\u0101rdu Pj\u0113rs Bof\u0113ns. Nacion\u0101lsoci\u0101lisma laikmets Bof\u012bnam un daudziem vi\u0146a kol\u0113\u0123iem rad\u012bja m\u0101kslas blok\u0101di. Otr\u0101 pasaules kara laik\u0101 vi\u0146\u0161 nok\u013cuva g\u016bst\u0101 At\u0161i, Francij\u0101, kur tuvu sadraudz\u0113j\u0101s ar gleznot\u0101ju Augustu Filipu Hennebergeru. 1943. gad\u0101 vi\u0146\u0161 public\u0113ja savu st\u0101stu \u201cDer Schmied vom Ulex\u201d. P\u0113c kara amerik\u0101\u0146i vi\u0146u pie\u0146\u0113ma darb\u0101, lai redi\u0123\u0113tu \u017eurn\u0101lu kara g\u016bstek\u0146iem. \u0160aj\u0101 laik\u0101 vi\u0146\u0161 par\u0101d\u012bj\u0101s ar\u012b k\u0101 autors un redaktors.\n\nBufins ilgu laiku dz\u012bvoja Be\u013c\u0123ij\u0101, Francij\u0101 un N\u012bderland\u0113 un intens\u012bvi piev\u0113rs\u0101s glezniec\u012bbai. S\u0101kotn\u0113ji vi\u0146\u0161 bija pa\u0161m\u0101c\u012bt\u0101js, bet p\u0113c tam savas prasmes att\u012bst\u012bja Antoni Klav\u0113 vad\u012bb\u0101 Par\u012bz\u0113. Vi\u0146\u0161 m\u0101c\u012bj\u0101s Par\u012bzes Nacion\u0101laj\u0101 dekorat\u012bv\u0101s m\u0101kslas augstskol\u0101 (\u00c9cole nationale sup\u00e9rieure des arts d\u00e9coratifs de Paris) - iest\u0101d\u0113, kur\u0101 m\u0101c\u012bja ar\u012b t\u0101di slaveni m\u0101kslinieki k\u0101 Fern\u0101ns Le\u017e\u0113 un Leons Dabo. Bof\u0113ns vair\u0101kus gadus pavad\u012bja Par\u012bz\u0113, p\u0113c tam turpin\u0101ja m\u0101c\u012bbas pie holandie\u0161u gleznot\u0101ja Henrija ten Holta un apmekl\u0113ja vi\u0146a glezniec\u012bbas klasi Bergen\u0101. \u0160aj\u0101 laik\u0101 vi\u0146\u0161 padzi\u013cin\u0101ja savas prasmes kr\u0101su un kr\u0101su pale\u0161u izmanto\u0161an\u0101. Rakstnieks Teodors Seidenfadens sav\u0101 velt\u012bjum\u0101 Bof\u012bnam piemin\u0113ja vi\u0146u kop\u012bgo darbu Alte\u0101.\n\nVi\u0146a pirm\u0101 izst\u0101de notika 1947. gad\u0101 Par\u012bz\u0113, Salon des Ind\u00e9pendants, un t\u0101 izrais\u012bja sens\u0101ciju ar savu ekspres\u012bvo re\u0101lismu. No 1952. l\u012bdz 1970. gadam Par\u012bz\u0113 sekoja v\u0113l vair\u0101kas izst\u0101des, tostarp Nacion\u0101laj\u0101 dai\u013c\u0101s m\u0101kslas instit\u016bt\u0101 (Soci\u00e9t\u00e9 Nationale des Beaux Arts), Ekspoz\u012bcij\u0101 Decouvrir, Salon\u0101 \u201cArtiste Francais\u201d un Salon\u0101 Teeres Latines. \u0160aj\u0101 laik\u0101 vi\u0146u p\u0101rst\u0101v\u0113ja t\u0101das galerijas k\u0101 Galerie Main Montparnasse, Galerie Marseille Par\u012bz\u0113 un Galerie Foyer des Artistes. P\u0113c tam vi\u0146\u0161 tr\u012bs gadus pavad\u012bja Diseldorfas M\u0101kslas augstskol\u0101, kur Rolfa Sakenheima vad\u012bb\u0101 papildin\u0101ja savas zin\u0101\u0161anas glezniec\u012bb\u0101, br\u012bvaj\u0101 grafik\u0101 un scenogr\u0101fij\u0101. \u0160aj\u0101 posm\u0101 Bufins pastiprin\u0101ja savus centienus grafikas un grafikas jom\u0101. Vi\u0146\u0161 apmekl\u0113ja ar\u012b m\u0101kslas v\u0113stures kursus pie profesora Heinriha Teisinga.\n\nLondon\u0101 vi\u0146a darbi tika izst\u0101d\u012bti kop\u0101 ar Heissi\u0101la un \u017dor\u017ea Delplanka darbiem. Daudzi vi\u0146a darbi non\u0101ca priv\u0101tkolekcij\u0101s un nodro\u0161in\u0101ja vi\u0146am iztikas l\u012bdzek\u013cus. Septi\u0146desmitajos gados Bufins arvien vair\u0101k piev\u0113rs\u0101s V\u0101cijai. Vi\u0146a darbi l\u012bdz 20. gadsimta 80. gadu beig\u0101m tika ekspon\u0113ti starptautisk\u0101s izst\u0101d\u0113s, piem\u0113ram, m\u0101kslas izst\u0101d\u0113 Kirn\u0101, \u201cVilla Engelhard\u201d Diseldorf\u0101 un filmu festiv\u0101los \u017den\u0113v\u0101 un Strasb\u016br\u0101.\n\nVi\u0146a grafikas darbus p\u0101rst\u0101v\u0113ja Galerie Moderne II Brisel\u0113, savuk\u0101rt gleznas tika izst\u0101d\u012btas Galerie Sch\u00f6ppe Minhen\u0113 un Galerie Campo Antverpen\u0113. Pat b\u016bdams 80 gadu vecum\u0101, Bufins organiz\u0113ja savu darbu prezent\u0101ciju Krievijai, kas 1988. gad\u0101 notika Vi\u013c\u0146\u0101, Lietuv\u0101, un izpeln\u012bj\u0101s lielu iev\u0113r\u012bbu.\n\nL\u012bdz pat savai n\u0101vei 1992. gad\u0101 Pj\u0113rs Bof\u0113ns dz\u012bvoja V\u0113rd\u0113 pie Lejreinas, kur Bahnhofstrasse 153 atrad\u0101s ar\u012b vi\u0146a darbn\u012bca.\n\nSavos agr\u012bnajos darbos Bof\u0113ns galvenok\u0101rt piev\u0113rs\u0101s ainavu glezniec\u012bbai. Ainavas atmosf\u0113ras tver\u0161ana un vietas un gaismas saspringt\u0101 mirk\u013ca interpret\u0101cija bija vi\u0146a darbos bie\u017ei atk\u0101rtojo\u0161\u0101s t\u0113mas. Tom\u0113r galveno uzman\u012bbu vi\u0146\u0161 piev\u0113rsa cilv\u0113ku att\u0113lojumam, kur\u0101 uzsv\u0113ra iek\u0161\u0113jo emociju un \u0101r\u0113j\u0101 izskata mijiedarb\u012bbu. Vi\u0146a fig\u016bras nekad netika reduc\u0113tas l\u012bdz idealiz\u0113tam skaistumam; dr\u012bz\u0101k Bofins att\u0113loja savus t\u0113lus ar lielu zin\u0101tk\u0101ri un tie\u0161umu. Vi\u0146am bija rakstur\u012bga izteiksm\u012bga, sp\u0113c\u012bga un meistar\u012bgi kompon\u0113ta kr\u0101su palete.\n\nVi\u0146a darbos ar erotiskiem mot\u012bviem atspogu\u013coj\u0101s jutekliska kontempl\u0101cija, kas nereti tika apvienota ar dzi\u013c\u0101ku simbolismu un seksualit\u0101tes noz\u012bmi. Vi\u0146a v\u0113l\u012bnajos darbos atkl\u0101j\u0101s ar\u012b radik\u0101la konfront\u0101cija ar aktu\u0101lajiem politiskajiem notikumiem, kurus vi\u0146\u0161 tie\u0161i un izaicino\u0161i p\u0101rnesa uz audekla.\n\nBofins izmantoja ar\u012b kokgriezumu un linogriezumu tehniku. M\u0101kslas tirg\u016b ir zin\u0101mi tikai da\u017ei maza form\u0101ta akvare\u013ci. Liel\u0101k\u0101 da\u013ca Bofina darbu ir priv\u0101t\u012bpa\u0161um\u0101. Visu Bofina m\u0101kslas mantojumu, tostarp e\u013c\u013cas gleznas, akvare\u013cus, z\u012bm\u0113jumus un grafikas, k\u0101 ar\u012b vi\u0146a izst\u0101\u017eu dokument\u0101ciju un dzejo\u013cu ori\u0123in\u0101lus un velt\u012bjumus no vi\u0146a draugu loka p\u0101rvalda KunstKontor V\u012bsb\u0101den\u0113.","link":"https:\/\/collection.galerie-gerdes.com\/lv\/c\/makslinieki\/pierre-boffin-lv\/","name":"Pierre Boffin","slug":"pierre-boffin-lv","taxonomy":"product_cat","parent":1865,"meta":[],"_links":{"self":[{"href":"https:\/\/collection.galerie-gerdes.com\/lv\/wp-json\/wp\/v2\/product_cat\/8840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/collection.galerie-gerdes.com\/lv\/wp-json\/wp\/v2\/product_cat"}],"about":[{"href":"https:\/\/collection.galerie-gerdes.com\/lv\/wp-json\/wp\/v2\/taxonomies\/product_cat"}],"up":[{"embeddable":true,"href":"https:\/\/collection.galerie-gerdes.com\/lv\/wp-json\/wp\/v2\/product_cat\/1865"}],"wp:post_type":[{"href":"https:\/\/collection.galerie-gerdes.com\/lv\/wp-json\/wp\/v2\/product?product_cat=8840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}